I see this question get thrown around a lot in various forums, and sadly, the default conception that GSM (Grams per Square Meter) is the defining factor of what makes specific papers fountain pen friendly is very much false. Yes, heavy paper tends to (generally speaking) perform better than cheap lightweight copier paper when you’re scribbling with a fountain pen, but that’s an oversimplification of a multifaceted issue. We’ll get into the specifics of this issue here.
First of all, before we define what fountain pen friendly paper is, let’s discuss the issues that crop up with paper that’s patently unfriendly.
Paper issues that can crop up when writing with fountain pens
Bleedthrough
This is when the ink literally bleeds through the paper to the other side. It’s hideous and should be avoided at all costs. Generally speaking, a low GSM paper being so thin will be prone to this (some exceptions apply) due to not being able to absorb all the ink prior to reaching the reverse of the paper. Think of a newspaper vs watercolour paper stock. Doesn’t really matter on the relative quality of newspaper paper or the watercolour paper, one will always have bleed through and the other won’t by virtue of having so much highly absorbent material to eat through.
Ghosting
Not to be confused with bleedthrough, ghosting is when the paper is so lightweight that the ink will show through the reverse, but it has not bled through. The best example being the excellent Tomoe River paper that due to its inherent lightness (52 gsm) is prone to such aesthetic quirks. For me personally, I quite like some ghosting in certain situations. With my Hobonichi Techo, the ghosting adds the interesting consequence of the ink being almost heavier than the paper. After a few months of doodling the notebook will bulge up and, for some unknown reason, I rather like this.
This is really a situation where personal bias comes into play. Some people hate ghosting, others are indifferent and some (a rare few) are even partial to it. Your mileage may vary and ultimately the easiest way to avoid ghosting is with fountain pen friendly paper that’s thick enough to eliminate this issue. I personally would say that 80 gsm high quality paper will mitigate most ghosting (unless you write with heavy pressure and nail like nibs, or super juicy double broads).
Feathering
Feathering is the bane of a nib scribbler’s existence. This is the one real problem that seems to be universally despised by fountain pen aficionados. Feathering is a result of ink resting on highly absorbent paper and the capillary effect being amplified resulting the ink spreading laterally in visible thin spider web trail like fashion which ruin your otherwise perfectly crisp cursive.
Sadly, since modern paper is designed to be used with ballpoints, I find this to be a relatively common issue. Ball points use a very thick gel-like ink and quick-drying (hence the super absorbent paper) is the preferred option. Fountain pen ink being super viscous by nature does not play well with such paper. Ideally, you would want the ink the rest on top of the paper and dry mostly naturally with minimal absorption. Fountain pen friendly paper could ironically be defined as paper with specific ink resistance.
What makes ideal paper for fountain pens different?
So, how do paper manufacturers deal with such issues? The primary method seems to be with weight, density of the fibres, and smoothness of the finish when it is milled. As unscientific as my explanation is – I think the denser the paper, the less likely it is to bleed through. The obvious exception to this being the appeal of laid or woven paper, but those are really aesthetic considerations. Some people like writing on heavily textured paper due to the feedback it produces. Same can be said with paper with a high cotton content. These considerations do not define the viability of fountain pen ink friendly paper, but rather a personal bias.
You can easily get (reasonably) good fountain pen friendly paper that is not designed specifically for this use, like the HP Premium Choice Laserjet (32 lb) loose paper. It’s relatively cheap, available more or less everywhere, and has become the de facto standard for common loose leaf paper that plays nice with our juicy nibs.
The other way manufacturers create fountain pen friendly paper is through a specific finish. In Clairefontaine’s case, vellum finished paper (what’s used in their notebooks) adds significant resistance to feathering and bleedthrough and for a more extreme example, Tomoe River paper has a silky smooth finish that resists ink, causing it to dry on the surface rather than leeching down. The downside of papers like this is that the time it takes for your scribbles to dry will be significantly extended. Something to be aware of for those who tend to write quickly and want to turn the page pronto.
What if you can’t get a hold of this kind of paper?
If your neck of the woods doesn’t have easily available (or affordable) paper suitable for fountain pens, the obvious solution would be to use a very fine nib pen. I can write on a cheap newspaper with my Platinum #3776 in UEF nib without incurring any issues, but I know that needlepoints are not everyone’s cup of tea.
As a side note; I know for a lot of people, especially those new to the hobby addiction, it’s very easy to view paper and ink as not as important to invest in as they are consumable goods, but honestly, it will have a bigger impact on your writing enjoyment than spending more on a marginally higher quality nib. I would much prefer writing on Clairefontaine with a cheap Lamy Safari rather than mutilating my Pilot Falcon nib on cheap copier paper.
What are some fountain pen friendly papers?
Besides the aforementioned HP & Tomoe River paper, the following are “known” as fountain pen friendly options.
- Rhodia Paper: 80 gsm, but a solid performer. Inexpensive (in Europe at least) and handles ink rather nicely.
- Oxford Optik Paper: This is a UK-specific option and ridiculously cheap. Much like the Rhodia options, this is also 80 gsm and I have a sneaking suspicion that it’s made by Clairefontaine (who make Rhodia paper).
- Apica Paper: 81 gsm and solid as hell; Japanese, so cost is higher than the western alternatives (at least here in Europe).
- Stalogy Paper: 81.2 gsm paper; also a sneaking suspicion it’s made by Apica.
- Clairefontaine Paper: 90 gsm of vellum goodness. This is great stuff although the texture is super smooth – almost glassy. Some really like this, but others prefer a bit of feedback from their nibs. I love the stuff for certain application, but it does feel like you are skating on ice sometimes.
- Crown Mill Laid Paper: For those who like super-heavily textured paper; it’s heavy and very unique in terms of feel. Clairefontaine makes similar stuff from their Triomphe line, and the texture is so heavy that writing is almost a chore. Not in a bad way, but I find I have to take my time, lest the tines get caught up in the paper.
- G. Lalo Toile Imperiale Paper: G. Lalo produces high end (and high priced) paper with a perfect feel in my opinion. It is textured, but unlike the coarse Crown Mill stuff, the G. Lalo is almost like writing on a smooth, dense canvas.
- Leuchtturm 1917 Paper: Great Moleskine alternative; advertised as “ink proof” paper, and whilst it’s not the best, for its price and format (A6 notebooks anyone?), it’s pretty great stuff. A German company, but the paper is made in Taiwan. The weight of the paper differs based on the size of the notebook you buy. I found that the smaller notebooks that use 80 gsm paper performed better/had a higher quality coating compared to the heavier 100 gsm stuff found in their larger offerings.
- Black n’ Red Paper: Quite expensive in Europe compared to the commonly available Clairefontaine options. The one I have is made by Oxford using “Optik” paper that, as I said, is most likely made by Clairefontaine. As far as I know, the U.S.-sourced Black n’ Red notebooks offer different paper that is also fountain pen friendly.
This is not an exhaustive list, and a lot of your experiences will be dictated by your weapon of choice (how wet is your nib etc.), as well as the ink you use.
Besides a superior writing experience, high quality paper that is fountain pen friendly is milled in such a way as to minimize the amount of fibers that get stuck between the tines of your nib, which is really good, as those little clumps of fiber can really hamper your writing experience.
This is one of the major reasons why recycled paper that is fountain pen friendly is almost a myth (off the top of my head, I can’t think of one – feel free to chime in).
What are your favourite fountain pen friendly papers?
Have a favourite paper for when you’re writing with fountain pens? Let me know in the comments.
Andre says
Hello,
perhaps you can shed some light ob the problem i’m experiencing.
With my different pens i made the saddening experience that on smoth, dense and not very absorbent paper. Which ist supposed to be good for fountain pens. The ink comes out dry, thin, and with most colours it tends to be far to bright with a greyish hue.
For example, on Oxford 90g/m2 Optic Paper with every ink/NIB combination it is extremly pale and thin. Blue-black and Aubergine Inks are just grey.
Only nibs that work are the super cheap chinese ones. Mont Blanc, Cleo, Pelikan all the same. On cheap staples Copy-Paper they work wonderful.
And ideas? I’ve already spent nearly 200 bucks on different inks. Thx.
Mia Vergari says
Hello,
I am looking into letter locking and the stiff parchment paper used is at 176 GSM.
Do you think this OK for fountain pens/nibs?
I am still new to all of this, but I know when I have the pleasure of a nice pen on good paper.
Any advice? Thank you
Dave Klein says
You’ve solved a mystery for me! I keep acquiring fountain pen friendly paper, such as Rhodia’s dotpad and ‘MD Notebook’ from Japan, only to find that the ink would sit on the page and invariably end up smeared onto my clumsy writing hand instead of the paper.
I had no idea that the ink resistance was a feature and not a bug, and so I saved the paper above for ballpoint pens, and went back to writing on envelopes and laser print paper with fountain pens.
I guess I just need to be more careful and patient to let the ink dry. I appreciate the blog entry.
Ajay says
Question for you if you don’t mind: what kind of paper should I *not* be writing on with a fountain pen? Will copier paper or the standard light-weight school notebook paper hurt the nib? What about watercolor and mixed media paper? I have both types of paper, and they also both have a good amount of tooth. I tested my pens on them, and they obviously don’t write as smoothly, but they do put down the ink nicely. However, if the amount of tooth, or any amount of noticeable tooth on other papers, will damage the nibs, then I definitely don’t want to write on those types of papers again. What’s your take on this?
And also, great post. I got my first fountain pen a while ago, but I’m only now just starting to get immersed in all things pen-related, so this was super helpful!
Thomas Xavier says
Hi Ajay, broadly the more fibrous & thin the paper is, the more likely the ink will bleed and feather. Obviously exceptions like Tomoe River paper and 80gsm Clairefontaine exist. Watercolour paper isn’t (imo) pleasant to write on with a fountain pen but it handles ink very well although it tends to “sink” rather than “sit” on the paper. As for nibs being damaged due to toothy paper- thats not a concern. Outside of dip pen inks that need to be sharpened after prolonged use, fountain pens have tipped nibs using iridium (most of the time). It won’t wear out.
Fountain pens are awesome, keep at it mate. 😉
Pam says
Thanks for this – very helpful! One note, I think the HP Premium 32 may have changed. It doesn’t seem as ink friendly anymore.
Thomas Xavier says
Haven’t used HP paper in a while, hard to get here (Portugal), on the flipside- supermarkets stock Clairefontaine! 😀
Thanks for dropping by Pam, much appreciated!
Julien says
I see this post is quite old but just in case someone else stumbles on here like I did, how could you not have Maruman Mnemosyne as a choice?!! Fantastic paper, great notebooks, especially the ones that have a grid on one side, plain on the other. I have them in every size and for different projects. . .fantastic for fountain pens, no bleed through, super smooth, and the paper even holds up to quite a bit of water for this pen and ink artist. Rhodia seems like awful paper in comparison!
Thomas Xavier says
Hi Julien, the reason I don’t have it as a choice is because I have no experience with it and I am loathe to recommend paper I haven’t tried. I promise once I get my hand on some I will update the list. 😉
Sol says
Life brand paper from Japan is on a par with Rhodia for fountain pen friendliness, I’ve found. Personal taste comes into it too, though; there’s 80 gsm white and 90 gsm ivory/cream from both. The ivory/cream stocks seem to work especially well with blue inks, but my Diamine Ancient Copper ink really needs the white background in order to make it pop.
Thomas Xavier says
Never handled it (as best as I can remember), where do you get it from outside of importing from jp?
Rayat says
I’m a student and my main question was about notebook paper…when I try to take notes with my fountain pen in my generic composition notebook it hasn’t worked out well. I’ve been able to write beautiful on them before but on my newer one I noticed the pages are different. Much smoother almost like it’s a tiny bit waxy? I wonder is it just me? Or is the paper not fountain pen friendly? I also don’t get a chance to use my pens that much so sometimes one will sit unused with ink in it for a long time and it’s hard to get the flow started. Do you think it’s a paper problem, pen problem, or both?
Thomas Xavier says
I would wager that its a paper problem, if the pages have been treated with a thin coating of sorts (very possible) then it will impact the ability to use fountain pens on them. Sadly, paper is designed these days to play nice with ballpoints and thus very little attention is given to the inky community. 🙁
Bunny says
I’ve read that the main challenge in USA for people getting into fountain pens is the scarcity of quality paper. I’m overjoyed to find that a certain HP Printer Paper is fountain pen friendly. I’ll certainly try it out soon.
Thank you so much for this post. Cheers.
Thomas Xavier says
Definitely more choice in Europe, Clairefontaine is pretty much ubiquitous.
Miguel says
The Black and Red notebooks in US do have good FP friendly paper. Another good option I use regularly, apart from Rhodia, is the Levenger paper used in their ring system notebook. The American manufacturers Franklin Christoph and Story Supply Company also make great FP notebooks.
Thomas Xavier says
Never tried Levenger paper but I keep hearing it mentioned. One of these days i’ll source some here (this side of the pond).
Rolando Reyna says
I really enjoy using Tomoe River 52 gsm, not only to write with fountain pen, also to draw with pencil, it is one of those products that make you feel sensations that motivate you to create something that lasts over time.
Thomas Xavier says
100% agree, the tactical experience is something thats worth trying even if you have reservations for such light paper. In a way, I would suggest that its as unique as laid paper (albeit, completely different feel). It is so much fun to doodle on that I wish more manufacturers used it. Imagine a Moleskine/Tomoe collab! Bliss.
Umair says
This is so informative! I have done a little research on paper (and got myself Tomoe River) and even then there were several things I had no clue about. This is hours and hours of research worth of information explained so well in one blog post.
Thomas Xavier says
Thanks Umair, glad you found it useful.
jamal bekdache says
Hello you should try the new paper adopted by Dingbats Notebooks, it is superb for fountain pens. I can send you one if you want just let me know.
Thomas Xavier says
Thanks for the offer but I prefer to buy all the stuff I review as it allows me to be objective and/or critical beyond paying lip service.
Vasilis says
I love Rhodia paper; my favourite combination is Herbin ink – Lie de the on the slightly cream coloured Rhodia paper.
Nicole says
Great reviews, and thanks for the links to other papers! I have fallen in love with the Tomoe River, but it’s not for every occasion. I’ll have to check out some of the others.
Thomas Xavier says
Tomoe River is pretty addictive, I wasn’t sold on it originally (used to be a die-hard Clairfontaine 90g user) but it grows on you. Thanks for dropping by!